A few dribbles and drabbles in the heat…
I’ve noticed this trend happening in comic books a lot, and the Wookie agrees – a new writer, usually a Big Name, gets onto a title and decides that he just HAS to put his Mark on It for All Time. So we work up the costume, kill off a few beloved characters and/or change the origin story because, well, we have to.
I like Wonder Woman’s Origin story. I like Steve Trevor.I *love* Nathan Fillion doing the VOICE of Steve Trevor. And, yes, you can bring the origin story up to present day without sacrificing a whole lot of integrity, as this animated movie shows. So why, for the love of Zeus, are you dumping Diana in the middle of an “urban environment” sans Steve?
I mean, who wasn’t a hopeless romantic on the whole Diana/Steve thing? I never liked the Clark/Diana shippers much… or the Bruce/Diana. Sorry.
I’ve decided to pull my works off of Smashwords, and by proxy B&N and other venues whenever they get around to updating their files. The sales were awful, to say the least, and considering I don’t get paid out by Smashwords until I reach $10… I won’t be getting any money for years, if that. It was a one-year experiment with short stories that I’d already sold and had the reprint rights for, so nothing lost there. However, I should warn potential self-pub addicts racing to Smashwords not to expect much. After a year none of my works ever appeared on Kindle despite my continued questions – I’m not sure if it’s Amazon being the big green monster or the Smashwords staff not doing the work, but considering that Amazon is a prime ebook market, well… It may be easier to get stories out to different markets using Smashwords, but the only thing that I sold were my free stories. Not that it’s a bad thing and I’m hoping some of those sales translated into sales for my actual novels, but can’t say much good about the year-long experience. That’s just my story, YMMV.
Along the same lines, one self-pub author (’cause I just can’t be a cool kid and say “indie”) recently commented on her blog about how much time she was spending promoting her works and how little time she had left for writing.
Allow me a snerk here.
Folks, don’t get into self-pubbing unless you really know the score. Sure, you may have all the control, yatta yatta yatta, but you have to be your own publicist as well. And yes, that may mean less time for you to write while you run all over the place Tweeting and FBing and whatever to sell your work. That’s part of the deal.
Me, I’d rather let my publisher do that and give them part of the royalties for doing so. The self-pub author may get higher royalties on one hand, but are you ready to run your butt off doing promotion? Most of which, btw, takes money. Not to mention community contacts and professional friendships that you’re unlikely to get being a lone author.
I’d rather just write.
Stay cool, everyone!